There was no form of conceptualization of a real-life event or depiction of consciousness in these creations, primarily due to the technological limitations of the days. Harishchandra Sakharam Bhatwadekar (Save Dada) who in 1899 shot a wrestling match was probably the earliest traces of "topical" films in the Indian film industry. He is also accredited to have made the first Indian newsreel in 1901 filming the public reception of Raghjunath P. Paranjpye who had won a special distinction in Maths at Cambridge. Chitrapat Kaysa Taya Kartat (How films are made) (1917) directed by Dadasaheb Phalke, the "Father of Indian fiction film", is another significant milestone in the genre of Indian "actuality" films.
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